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The PSMP Shop offers scores (and parts) for purchase as PDF downloads - perfect for immediately loading onto your tablet, or to print.
To EXPLORE THE CATALOG, SELECT "SHOP" on the home page, or CLICK or TOUCH the large PSMP Logo. Then CHOOSE either of these CATEGORIES:
Each of these main categories opens up to show many subcategories. Select any title to open a product page with details and (almost always) a video presenting an excerpt, or a complete performance, of the piece. Add your item to the cart. After completing checkout, you'll receive an email containing direct links to download each item. If you have any questions, please use the Contact Form, below, to send me a message and I'll be happy to reply.
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Paul Seitz is a composer of opera and music for instrumental and vocal ensembles large and small. His compositions have been performed across the United States and around the world, including recent performances in Austria, Australia, Belgium, Brazil, Columbia, Germany, Netherlands, Scotland, Spain, and New Zealand. Seitz received his D.M.A. in Composition (with a minor in String Pedagogy) and M.M. in Music Theory from UW-Madison and his M.A. from Columbia University. His primary composition teachers were Stephen Dembski and Fred Lerdahl. As a violist, guitarist, and lutenist, he has performed in many genres of chamber and orchestral music. His concerto for bass clarinet and wind orchestra, To Vincent's Stars will be performed with Henri Bok (Netherlands) as soloist in July 2025 at the International Clarinet Association conference in Fort Worth, Texas. He is currently working with librettist, Bea Goodwin (beagoodwin.com) on a new chamber opera commissioned by the Landlocked Opera Company (landlockedopera.com) in Kansas City and Columbia, Missouri.
Bright Promise From the Fire for reed quintet by Paul Seitz. Composed for the Akropolis Reed Quintet and available in the Akropolis Collection.
To listen to the entire 6 movement work, visit the Akropolis Quintet's post on Soundcloud:
Chosen for many Middle School All State Music Orchestras, this piece is currently on MANY state ensemble contest lists. Latham publisher. When highlighted as a J. W. Pepper Editor's Choice, they wrote:
"If Copland had written for easy level strings, it would have been something like this. There's a wide open sound here, thanks to the rich writing that includes open strings, open fifths, simple harmonics and just the right amount of silence. Very nicely done!"
A lyrical piece, built from a pentatonic scale common to cultures around the globe, that introduces 3rd position for first violins via open string shift. Written for my own students in Oregon, Wisconsin, this piece was performed at the 2003 Midwest Clinic by the Las Vegas Academy of Performing Arts Chamber Orchestra (Listen HERE) and continues to appear on many state contest lists. Latham publisher.
This piece builds musical and rhythmic independence through divisi parts and driving melodies that pass from one instrument to another. Every section is featured more than once and 2nd position is introduced for violists in several brief passages. Like many pieces by Vivaldi, the technical demands of this piece are more modest than they seem, resulting in an impressive concert piece for a select middle school ensemble (especially if you have basses looking for something more challenging), or a high school orchestra developing musical independence through contrapuntal music. Latham Publisher.
for tenor (or cello) soloist and
string orchestra
Level 3
An excerpt of this arrangement, performed by the Greenspun Middle School string orchestra with soloist (UNLV voice faculty) Alphonse Anderson, is provided above. Alliance/Fred Bock Music
publisher.
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